oil on canvas (50 x 100 cm)
PRIVATE COLLECTION
Ovid, Metamorphoses, book I
[689] … “ A famous Naiad dwelt among the Hamadryads, on the cold Arcadian summit Nonacris, whose name was Syrinx. Often she escaped the Gods, that wandered in the groves of sylvan shades, and often fled from Satyrs that pursued. Vowing virginity, in all pursuits she strove to emulate Diana's ways: and as that graceful goddess wears her robe, so Syrinx girded hers that one might well believe Diana there. Even though her bow were made of horn, Diana's wrought of gold, vet might she well deceive. “Now chanced it Pan. Whose head was girt with prickly pines, espied the Nymph returning from the Lycian Hill, and these words uttered he”—But Mercury refrained from further speech, and Pan's appeal remains untold. If he had told it all, the tale of Syrinx would have followed thus:—but she despised the prayers of Pan, and fled through pathless wilds until she had arrived the placid Ladon's sandy stream, whose waves prevented her escape. There she implored her sister Nymphs to change her form: and Pan, believing he had caught her, held instead some marsh reeds for the body of the Nymph; and while he sighed the moving winds began to utter plaintive music in the reeds, so sweet and voice like that poor Pan exclaimed; “Forever this discovery shall remain a sweet communion binding thee to me.”—and this explains why reeds of different length, when joined together by cementing wax, derive the name of Syrinx from the maid.
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